Time: September 25, 2012 from 7:30pm to 11pm
Location: Zajia Lab
Street: Hong en Taoist Temple, Doufuchi Hutong, Jiugulou Dajie
Website or Map: http://www.zajia.cc
Event Type: screening, film
Organized By: zajia lab
Latest Activity: Sep 24, 2012
>>>introduction of films:
In the heart of the Canadian wilderness, sultry and sexually assertive Vixen becomes quickly bored when her husband Tom, wilderness guide/pilot (Garth Pillsbury) leaves for the mountains. The hypersexual Vixen vents her frustration by attempting to seduce anyone within reach including a couple her husband bring home as clients (separately), a Mountie, and eventually her own brother (Jon Evans).
After witnessing Vixen's exploits throughout the film, it ends by veering into political satire as Vixen's racism and the creeping threat of communism are discussed at length among the characters as the film draws to its end. At the end of the film her husband brings another couple home and Vixen smiles, apparently planning to seduce them.
Faster, Pussycat! Kill! Kill! (USA/fiction/1965/83min)
Three thrill-seeking go-go dancers—Billie (Lori Williams), Rosie (Haji), and their leader, Varla (Tura Satana)—encounter a young couple in the desert while racing their sports cars. After killing the boyfriend (Ray Barlow) with her bare hands, Varla drugs, binds, gags and kidnaps his girlfriend, Linda (Susan Bernard). On a desolate highway, the four stop at a gas station, where they see a wheelchair-bound old man (Stuart Lancaster) and his muscular, dimwitted son, Vegetable (Dennis Busch). The gas station attendant (Mickey Foxx) tells the women that the old man and his two sons live on a decrepit ranch with a hidden cache of money. Intrigued, Varla hatches a scheme to rob the lecherous old man.
>>>Introduction of Director
Russ Meye (born March 21, 1922,die September 18,2004) was a U.S. motion picture director, producer, screenwriter, cinematographer, editor, actor and photographer.
Meyer is known primarily for writing and directing a series of successful low-budget sexploitation films that featured campy humor, sly satire and large-breasted women.